Showing posts with label Intellectual Property Law. Show all posts
Showing posts with label Intellectual Property Law. Show all posts

Friday, January 29, 2010

IPL Lecture: January 30


Pivot Point Intern: "conceptual separability"
-there is an author w/c created a small statuette of a lady w/a lantern, holding it up. It's intended to work as a lantern, but it is also considered a sculptural work because of the design on the lantern itself. Question is WON the sculpture should be protected by copyright.
H: Based on Mazer vs. Stein (?): conceptual separability applies. The functional feature is considered comparable to the ornamental design. Protect both ornamental and artistic function of the lantern.

Original works derived from public domain materials
Public domain: free for all
-not copyright-protected anymore
-DISTINGUISHABLE VARIATION: but can protect by copyright if author, through skill and effort, contributed distinguishable variation from the older works which is substantial (not merely trivial)

Original Compilation of Facts
-bare facts never copyrightable because they have no author to speak of
-but if author arranged the facts in such a way that it could be easily comprehended by his readers, not mere compilation but selection of particular data based on his own discretion, copyrightable

Hodge Mason Case: case where Hodge Mason made a tri-dimensional map. He selected which facts he should include…copyrightable even if based on certain facts only because Hodge Mason made certain choices which are very novel at the time (1st one who introduced such illustrative map).

Computer Programs
-treated as literary works under the current convention

Judicial Opinions
-works of government are not copyrightable
-and these works of government must be disseminated to the public, we're even required to read them (Ignorance of the law excuses no one) = public policy element
…Judges usually compile all the decisions they have made throughout their tenure. Sabi ni sir these books are not subject to copyright. Even the headnotes, syllabi are not copyrightable

Law Reports (SCRA, Phil)
-can be copyrightable IFF the reporters took great pains to write the syllabi (not like now where just cut and paste)
-what about lex libris? Sabi ni sir non-copyrightable ung written form, neither should the digital form!

News stories, History, Biography
-copyright extends not only to literal phrasing…but also to author's original narrative style and arrangements of facts
-author makes decisions on what to say

Derivative works 
 -can't claim any copyright for derivative works w/o authorization from the author of the original work from which the derivative work was derived or else copyright infringement
...similar to the Underlying Work
-new work must be more than inspired by the earlier work

Adaptation of OLD Play
-play may be itself a common property (because it's old), but copyright may be still secured
-sir: there must still be a license from author of old work

Abridgments of Literary Works
e.g. Reader's digest
-protected because the person making the abridgment makes choices on what to include in his work 

Derivative Works of the Visual arts
Visual arts: photographs, figurine, fabric design.... 
-should have distinguishable nontrivial variation over the work 
-deny if minor alterations which consumers would ordinarily overlook
-grant if change work's actual appearance to consumers

Derivative Musical works
-higher standard of distinguishable, non-trivial variation: musical vocabulary constrain original and expressive contributions in musical contributions
-Pretty Woman case-parody (Campbell vs. Acuff Rose Music)
-Suntrust Bank vs. Houghton Mifflin
-NY Times vs. Tasini: digital publications

Collective Works
-A & B creates a work at initiative of C, with understanding that C would attribute the work to himself and no identification of A & B.
-e.g. Encyclopedia. A & B would be the contributors who would be paid by C to make the articles in the encyclopedia. A & B's right to attribution is deemed waived unless expressly provided (Section 196?)

Compilation of Works w/o License
-so this is infringement
-there should be license or assignment for use of the copyrighted work

Uncopyrightable Subject Matter
-idea, procedure, system, method or operation, concept, principle, discovery or mere data

Works of Goverment
GR: No copyright
X: when there's a necessary exploitation of work for profit w/ prior approval of the government agency - may impose payment of royalties
...sir: this is a dead-letter law: why would you make one for profit if these things are not really copyrightable 

RULES on COPYRIGHT OWNERSHIP
-Sec 178
-author of work: natural person + created the work = owns the copyright
*joint ownership (several authors of a single work): co-authors shall be the original authors of the copyright. Right governed by rules of co-ownership
e.g. if a group decided to write a treatise in intellectual property, this would be considered a joint ownership of the group. ALl those who participated would be considered owners of the copyright 
 -but if the parts are separable, his part would be owned by him (copyright over his work be attributed to him)

*works created during course of employment
-works not in the course of employment: own copyright
-works in the course of employment: ER owns copyright
-commissioned works: person who commissioned the work owns the work BUT the maker owns the copyright, unless there's a stipulation to the contrary
-audiovisual work: considered multifarious work
...the individuals whose works are incorporated in the audiovisual work owns copyright that corresponds to their work
...copyright exercised by producer to an extent required for exhibition of the work
X: for the right to collect performing license fees for musical compositions w/c may be incorporated into the work

*Letters: writer owns the copyright

Joint Authorship Test:
*De Minimis Test: very minimum participation ~ limited contribution ~ impact on claim to copyright
Copyrightable matters test: appears to be favored by the courts: performer contributes copyrightable matter to the performance

-Sec172: co-authors original authors of copyright

*Rules on Co-Ownership
-you cannot file suit vs your co-owner because as co-owners each has a right to the exploitation of your work.

*anonymous works
-publishers deemed to represent the authors with pseudonyms, unless contrary agreement

ECONOMIC RIGHTS in Copyright (PERA!!!!)
Sec 177. carry-out, authorize, prevent…
*reproduction of the work: primary source of author's economic right ("the bedrock")
-copies are material objects
*dramatization, translation, adaptation, abridgment, arrangement or other TRANSFORMATION OF WORK (right of adaptation - derivative work)
-first public distribution  (transfer of ownership)
-infringement: merely by transfer of copies of the work, WON lawfully or unlawfully made
…buyer acquires a copy, not the copyright. You can lend the copy of the book, and this is permissible, you can even sell it
*Rental of the original…audiovisual or cinematographic work, computer program, compilation of data…irrespective of ownership of original or copy which is the subject of the rental (RENTAL RIGHTS)
-TRIPS agreement contain rental rights
*Public display of the original work
DISPLAY: show a copy of it, directly or by means of any other device or process
Copyright infringement: public display (why: right un ni copyright holder eh - display right)
*public performance right: show immages in any sequence…
*other communication to the public

-copyrights rights may be transferred in whole or in part (assignment), subject to payment to the original holder
e.g. novel - right to adaptation may be assigned to a movie maker
-transfer must be clear in WRITTEN instrument
-assignee has standing to sue for infringement of the right assigned to him
-in this case, assignee and not the author benefit

SEC 180.3: submission to a publication of copyrightable work is limited only to single publication UNLESS a greater right is expressly granted
-di kasama ung published online in newspapers

LIMITATIONS ON COPYRIGHT
...
*LAWFUL ACTIVITIES - PD 49
Making Quotations - if compatible w/ fair use and if for the purpose, provided the name of author mentioned (cite in references, footnotes…)

Reproduction of communications to public…
-as long as you publish the source

Lawful inclusion of a work if inclusion is made by way of illustration for teaching purposes + compatible w/ fair use
e.g. knowledge channel…

Recording made in schools…included in broadcast for use of such schools
-provided: recording must be deleted w/n a reasonable period after they were first broadcasted

Making of ephemeral recordings by broadcasting organization by means of own facilities
-ephemeral recordings: they just retain recordings for short period of time, then delete it from facilities

Performance of a work in a free performance
-charitable, educational purposes



Friday, January 15, 2010

Copyright issues for authors

    -presentation delivered by sir (note: not among the ppt given by sir)
    Creations: Protected by IP rights
    *Copyrights: expression
    *Trademarks: names
    *Patents: Ideas
    Items of expression
    *literary
    *Dramatic
    *Musical works
  1. Etc…
  2. -if created as part of original expression is eligible for copyright protection if in tangible form (recorded…)
    Copyrights does not protect ideas, but of the author's expression of that idea
    -ideas may be copied, but not the expression (or else, copyright infringement)
    -when protection starts: as soon as expressed (from moment of creation, no need for formality)
    -purpose: promotion of science and useful arts
    -limited protection period though: subject to limited periods of exclusivity on the part of the author; once the term expires, whatever the author may have created would lapse into the public domain and may be enjoyed by all w/o fear of being sued for copyright infringement
    Rights of author in copyright
  3. Reproduction
  4. Dramatization, translation, transformation
  5. Creation of derivative works
  6. Distribution
  7. Public display and performance
  8. Right of rental for certain classes of works
  9. -if infringement of these rights: liable for copyright infringement
    -who considered to have these rights: creator of work/ someone to whom the creator assigned the copyright
    e.g. writer assigns the right to a movie producer, movie producer pays the writer
    Work for hire doctrine (copyright/patents): if you are employed for the purpose of creating something for your employer, anything you would create as the employee of the company belongs to the employer. If the duties given to you is outside your task, it's possible that copyright would belong to you (even if it was ordered to be done by you by your employer).
    Test: WON you are a mere employee for hire or somebody who, by operation of law, is considered an author
    e.g. You are making computer games, w/o the knowledge of your employer (not your job to do the computer games): you would have the right to copyright, not your employer
    -but the employer may have action against you for not doing your job, you're doing another thing when you're supposed to be working!!! Breach of labor contract
    What can be copyrighted?
    *original expression
    *independently created by the author
    *not copied from any other source
    --if merely copied, no protection, may be sued for copyright infringement
    *Independent creation
    Can copyright:
    • Literary works
    • Musical works - even if it doesn't sound good, and you’re the only one enjoying it
    • 2d and 3d art
    • Audiovisual
    • Computer software
    Cannot copyright
    • Ideas - cannot be monopolized by just one person
    • Lists
    • Facts
    • System or method of operation - in the IP code
    • Concept or principle
    • Titles, slogans - e.g. movie titles, slogans
    • Scenes a' faire -- expressions that flow naturally from an idea and are but one of a limited number of ways of expressing the idea
    Are web materials copyright protected?
    -they may be eligible for copyright protected…
    • text of web pages
    • Photographs
    • Email messages
    • Usenet messages
    • Sound files
    • Graphic files
    • Exe programs
    • Computer program listings
    • News stories
    • Software
    • Novels
    • screenplays
    -there might be some risk that may arise if these materials are used (and assuming they are also original) without license
    INDEPENDENT CREATION
    -material is created by author himself w/o copying it from any other source
    -does not lose copyright protection even if similar to a prior work AS LONG AS IT IS THE AUTHOR'S ORIGINAL WORK (similarity does not mean that there's copyright infringement; it is possible that there may be 2 works similar, but it may still be considered that each are copyrightable
    ORIGINAL and DERIVATIVE WORKS
    ORIGINAL: protected from moment of creation
    DERIVATIVE: also protected ONLY WHEN the 2nd author (Derivative author) obtained license from the original author - or else not protected: 2nd author is an infringer
    Why protected:  creation calls for intellectual effort
    e.g. you liked a work so much, you translated it in some way. Would this entitle you to a copyright? NO! Unless you have been creating your own work with a license from the original author
    Parodies: derivative author creates a work based on an earlier work w/o a license may be infringing the earlier work if his output is a tranformative work that meets the fair use factors
    Pretty woman parody: Campbell v. Acuff-Rose Music Inc: fair use doctrine
    …Luke Skywalker (a.k.a. Luther Campbell) - sir: typical infringer
    ...court held in the case that to determine WON there was infringement, determine if there's a fair use doctrine in Parody: and here, there's some leeway in borrowing somebody else's work, especially if there's a parody
    4 factors considered:
    (1) the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
    (2) the nature of the copyrighted work;
    (3) the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
    (4) the effect of the use upon the potential market for or value of the copyrighted work.
    -Transformative value: give somebody else the opportunity to transform some work that somebody else created before
    -no infringement: not just copy, it's a rap song totally different
    *if, on the contrary, the commentary has no critical bearing on the substance or style of the original composition, which the alleged infringer merely uses to get attention or to avoid the drudgery in working up something fresh, the claim to fairness in borrowing from another's work diminishes accordingly (if it does not vanish), and other factors, like the extent of its commerciality, loom larger
    *The threshold question when fair use is raised in defense of parody is whether a parodic character may reasonably be perceived. [n.16] Whether, going beyond that, parody is in good taste or bad does not and should not matter to fair use. As Justice Holmes explained, "[i]t would be a dangerous undertaking for persons trained only to the law to constitute themselves final judges of the worth of [a work], outside of the narrowest and most obvious limits. At the one extreme some works of genius would be sure to miss appreciation. Their very novelty would make them repulsive until the public had learned the new language in which their author spoke."
  10. Commercial or non-profit educational purpose of a work
  11. the mere fact that a use is educational and not for profit does not insulate it from a finding of infringement, any more than the commercial character of a use bars a finding of fairness
    fact that a publication was commercial as opposed to nonprofit is a separate factor that tends to weigh against a finding of fair use." 471 U. S., at 562. But that is all, and the fact that even the force of that tendency will vary with the context is a further reason against elevating commerciality to hard presumptive significance. 
  12. Nature of the copyrighted work
  13. -here: song
    This factor calls for recognition that some works are closer to the core of intended copyright protection than others, with the consequence that fair use is more difficult to establish when the former works are copied... We agree with both the District Court and the Court of Appeals that the Orbison original's creative expression for public dissemination falls within the core of the copyright's protective purposes. This fact, however, is not much help in this case, or ever likely to help much in separating the fair use sheep from the infringing goats in a parody case, since parodies almost invariably copy publicly known, expressive works.
  14. The amount and substantiality of the portion used in relation to the copyrighted work as a whole
  15. we recognize that the extent of permissible copying varies with the purpose and character of the use. See Sony, (reproduction of entire work "does not have its ordinary effect of militating against a finding of fair use" as to home videotaping of television programs); Harper & Row("[E]ven substantial quotations might qualify as fair use in a review of a published work or a news account of a speech" but not in a scoop of a soon to be published memoir). The facts bearing on this factor will also tend to address the fourth, by revealing the degree to which the parody may serve as a market substitute for the original or potentially licensed derivatives.
    -the amount that you copy depends on the purpose for which you are copying
    -the work of the original singer was not disparage-able. The second song did not amount as a substitute for the original in the market
     Parody's humor, or in any event its comment, necessarily springs from recognizable allusion to its object through distorted imitation. Its art lies in the tension between a known original and its parodic twin. When parody takes aim at a particular original work, the parody must be able to "conjure up" at least enough of that original to make the object of its critical wit recognizable. See, e. g.Elsmere Music, 623 F. 2d, at 253, n. 1; Fisherv. Dees, 794 F. 2d, at 438-439. What makes for this recognition is quotation of the original's most distinctive or memorable features, which the parodist can be sure the audience will know. 
    -in this case: same about a hooker/prostitute
    Once enough has been taken to assure identification, how much more is reasonable will depend, say, on the extent to which the song's overriding purpose and character is to parody the original or, in contrast, the likelihood that the parody may serve as a market substitute for the original. But using some characteristic features cannot be avoided.
    ...we think the Court of Appeals correctly suggested that "no more was taken than necessary," 972 F. 2d, at 1438, but just for that reason, we fail to see how the copying can be excessive in relation to its parodic purpose, even if the portion taken is the original's "heart."
  16. the effect of the use upon the potential market for or value of the copyrighted work.
  17. It requires courts to consider not only the extent of market harm caused by the particular actions of the alleged infringer, but also "whether unrestricted and widespread conduct of the sort engaged in by the defendant . . . would result in a substantially adverse impact on the potential market" for the original. Nimmer § 13.05[A][4], p. 13-102.61 (footnote omitted); accord Harper & Row, 471 U. S., at 569; Senate Report, p. 65; Folsom v. Marsh, 9 F. Cas., at 349. The enquiry "must take account not only of harm to the original but also of harm to the market for derivative works." Harper & Row,supra, at 568.
    We do not, of course, suggest that a parody may not harm the market at all, but when a lethal parody, like a scathing theater review, kills demand for the original, it does not produce a harm cognizable under the Copyright Act. Because "parody may quite legitimately aim at garroting the original, destroying it commercially aswell as artistically," B. Kaplan, An Unhurried View of Copyright 69 (1967), the role of the courts is to distinguish between "[b]iting criticism [that merely] suppresses demand [and] copyright infringement[, which] usurps it." Fisher v. Dees, 794 F. 2d, at 438.
    -copyright's goal is to protect creativity!
    HELD: escape liability
     2 Live Crew's song comprises not only parody but also rap music, and the derivative market forrap music is a proper focus of enquiry, see Harper & Row, 471 U. S., at 568; Nimmer § 13.05[B]. Evidence of substantial harm to it would weigh against a finding of fair use, [n.23] because the licensing of derivatives is an important economic incentive to the creation of originals. See 17 U.S.C. § 106(2) (copyright owner has rights to derivative works). Of course, the only harm to derivatives that need concern us, as discussed above, is the harm of market substitution. The fact that a parody may impair the market for derivative uses by the very effectiveness of its critical commentary is no more relevant under copyright than the like threat to the original market.
    Sir's website: http://www.benedict.com/
    SEGA v. ACCOLADE case
    - Genesis is not an open system, and in order for a game to work on the system, the game has to know the proprietary interface component of Sega's Genesis system, particularly the password that needs to be incorporated on any video game cartridge played on the Genesis system.
    -The only way that Accolade could determine the password was by de-compiling the object code of one of Sega video games to produce a translation of the source code. As a necessary step in this reverse engineering procedure, Accolade had to copy the Sega object code. Sega sued Accolade for copyright infringement based on the copying of the object code.  (reverse engineering)
    -Accolade argued that its copying was a fair use as allowed by the Copyright Act. Section 107 allows copies of a copyrighted work to be made for purposes such as criticism, comment, or research.
    H: Because Accolade needed to copy and disassemble Sega's copyrighted video game to obtain the necessary interface requirements, the court held that where reverse engineering copies a work as the only way to access the ideas and the functional elements of the work, such copying is a fair use if a legitimate reason for the use exists. The court thus held that a copyright in a work cannot protect un-copyrightable ideas and functional elements with that work.
    Suntrust Bank, as Trustee of the Stephen Mitchell Vs. Houghton Mifflin Company,USCA, 11th Circuit, October 10, 2001
    Gone With the Wind vs. The Wind Done Gone
    -a basta, TWDG acknowledges that it was from Gone with the wind, as a critique of GWTW's depiction of slavery and the Civil-War era
    -in GWTW, the slaves and their owners were depicted as cordial with each other. However, Alice Randall made research on what really happened and found out that it was not the case. That is why she made TWDG
    Is there "substantial similarity" between the two works such that "an average lay observer would recognize the alleged copy as having been appropriated from the copyrighted work."
    -no infringement if it's a parody, which really intends to mimic the original to make its point
    -fair use defense of parody: must be evaluated using the 4 factors….
    -when parody: when its aim is to comment upon r criticize a prior work by appropriating elements of the original in creating a new artistic, as opposed to scholarly or journalistic work.
    -TWDG: using a novel to convey the criticism is more powerful vehicle than a scholarly article!
    4 factors
  18. Purpose and character of the work
  19. -there's a profit purpose but this has a highly "transformative" use of the copyrighted elements
  20. Nature of the copyrighted work
  21. -GWTW undoubtedly entitled to greatest degree of protection (in accordance with the hierarchy of copyright protection, vs. derivative works or factual compilations)
  22. Amount and substantiality of the Portion used…
  23. -parody must be able to "conjure up" at least enough of that original to make the object of its critical wit recognizable
    -transformative: uses lines from GWTW but uses them w/ a completely new significance
    -still fair use even if more extensive use than necessary to conjure up the original: provided parody builds upon the original…
  24. Effect on market value of original
  25. -to commercialized GWTW, they were granting derivative licenses to promote it
    -SC: sun trust however fails to demonstrate that TWGB would create harm to the sales of GWTW
    H: TWGB entitled to fair-use defense
    WILSON ONG CHING KLAN CHUNG V. NATIONAL CEREALS OIL AND FOODSTUFFS IMPORT AND EXPORT
    -"Ganyan mga kaso natin…mga bihon…" - sir amado
    F:
    -infringement of copyright on the cellophane wrapper w/ 2 dragons design
    -Respondend filed countersuit for cancellation of the copyright; moved to dismiss: the outcome would depend on the copyright cancellation case
    H: countersuit prevails
    However, if this be under IPL Code: Sec 17, RA no. 166a: the case, whatever it is, should be decided by only 1 entity - the court which acquired jurisdiction over it - all the issues that may be involves should be decided before that court - prevent multiplicity of suits
    OTHER FORMS of copyright infringement:
    -see examples in Sir's powerpoint presentation: Copyright_P2.ppt
    *In a band, a & b compose the music, c does the lyrics. In case of joint authors (Sec178.2): the author of each part that can be separately  and identifiable used shall be the original owner of the copyright in the part that he has created - if cannot be separated, rules of co-ownership would be used
    *work for hire doctrine: R178.3 a & b: it it's not part of his regular duties but uses the facilities and materials of the employer or if the work is regularly assigned as his duties and the work is a result of such job
    *A & B models, C photographer. C used the photos as advertisement. A & B sued C for copyright infringement. H: C is the author, so not copyright infringement - R 178.4 - on commissioned work (the artist owns the copyright but the one who commissioned the work owns the output)
    SEC. 178. Rules on Copyright Ownership
           Copyright ownership shall be governed by the following rules:
           178.1. Subject to the provisions of this section, in the case of original literary and artistic works, copyright shall belong to the author of the work;
           178.2. In the case of works of joint authorship, the co-authors shall be the original owners of the copyright and in the absence of agreement, their rights shall be governed by the rules on co-ownership. If, however, a work of joint authorship consists of parts that can be used separately and the author of each part can be identified, the author of each part shall be the original owner of the copyright in the part that he has created;
           178.3. In the case of work created by an author during and in the course of his employment, the copyright shall belong to: 
                (a) The employee, if the creation of the object of copyright is not a part of his regular duties even if the employee uses the time, facilities and materials of the employer. 
                (b) The employer, if the work is the result of the performance of his regularly-assigned duties, unless there is an agreement, express or implied, to the contrary.
           178.4. In the case of a work-commissioned by a person other than an employer of the author and who pays for it and the work is made in pursuance of the commission, the person who so commissioned the work shall have ownership of work, but the copyright thereto shall remain with the creator, unless there is a written stipulation to the contrary;
           178.5. In the case of audiovisual work, the copyright shall belong to the producer, the author of the scenario, the composer of the music, the film director, and the author of the work so adapted. However, subject to contrary or other stipulations among the creators, the producers shall exercise the copyright to an extent required for the exhibition of the work in any manner, except for the right to collect performing license fees for the performance of musical compositions, with or without words, which are incorporated into the work; and
           178.6. In respect of letters, the copyright shall belong to the writer subject to the provisions of Article 723 of the Civil Code. (Sec. 6, P.D. No. 49a)
    SEC. 179. Anonymous and Pseudonymous Works
           For purposes of this Act, the publishers shall be deemed to represent the authors of articles and other writings published without the names of the authors or under pseudonyms, unless the contrary appears, or the pseudonyms or adopted name leaves no doubts as to the author’s identity, or if the author of the anonymous works discloses his identity. (Sec. 7, P.D. 49)
    Limitations on Copyright
    E.g. art exhibit with news coverage (through video)  on commentary - on limitation of copyright - criticisms - Section 184.d
    *Blanco father and son were commissioned to paint a mural in the lobby of Solid for P2M.
    1. Who owns the mural?
    2. Who owns the copyright of the mural?
    -it would depend on the contract between them
    But answer in the reviewer:
    1. Solid owns it.
    2. GR: Blanco father and son owns the copyright, unless there's a stipulation to the contrary
  26. UP Professor's works were read and aired on the tv as part of a distance learning program. They sued, saying that their consents were not got: Not a copyright infringement: Section 184.e: allowed, provided that the source is mentioned
  27. *TRADEMARK EXAM: FEBRUARY - midterms - 25%
    *Copyright and patents: Combined - essays - 30%
    -objective exams
    -true or false
    -essays

Sunday, November 22, 2009

The Law on Trademarks_Prof. Amador

(part 3 of Sir Amador's notes)

The Law on Trademarks

Trademark Act

Section 121.1, definition of marks
Section 121.2, Collective marks
Section 122, How marks are acquired

 The Trademark Act, Republic Act No. 166, as amended, which has been repealed under Section 339 of the Intellectual Property Code, was effective from June 20, 1947 until January 1, 1998, when the Intellectual Property Code took effect.

 RA 166 adopted the actual use system under which a trademark owner can apply for the registration of his mark only after he has used it in commerce in the Philippines for at least two months before the filing of the application.

IP Code

Section 123 to 123.3, Registrability of marks

 Intellectual Property Code, Republic Act No. 8293, adopted a hybrid system of registration in that while actual use of the mark is not required at the time of filing of the application, use of the mark in commerce must actually commence within three years from the filing date of the application; otherwise, the application will be refused or the registration cancelled if it has been issued.

 The Trademark Act adopted a single class registration system. In contrast, the IP Code adopted a multiple class registration system. Use of the mark on any item within a specific class of goods preserves the trademark owner’s registration for the entire class.

Section 128, Single registration for goods and services

 A trademark owner need only file a single application for the registration of his mark covering several classes of goods or services whether they belong to one class or to several classes of the Nice Classification

Paris Convention

 The provisions of the Paris Convention may be sub-divided into four main categories:

 A first category contains rules of substantive law, which guarantee a basic right known as the right to national treatment in each of the member countries;

 A second category establishes another basic right known as the right of priority;

 A third category defines a certain number of common rules in the field of substantive law which contain either rules establishing rights and obligations of natural persons and legal entities, or rules requiring or permitting the member countries to enact legislation following those rules;

 A fourth category deals with the administrative framework which has been set up to implement the Convention, and includes the final clauses of the Convention.


National Treatment Principle

 National treatment means that, as regards the protection of industrial property, each country party to the Paris Convention must grant the same protection to nationals of the other member countries as it grants to its own nationals.

 The same national treatment must be granted to nationals of countries, which are not party to the Paris Convention if they are domiciled in a member country or if they have a “real and effective” industrial or commercial establishment in such a country.

 This national treatment rule guarantees not only that foreigners will be protected, but also that they will not be discriminated against in any way. The national treatment rule applies first of all to the “nationals” of the member countries. The term “national” includes both natural persons and legal entities.

Right of Priority

Section 131, Priority right

 The right of priority means that, on the basis of a regular application for an industrial property right filed by a given applicant in one of the member countries, the same applicant (or its or his successor in title) may, within a specified period of time (six or 12 months), apply for protection in all the other member countries. These later applications will then be regarded as if they had been filed on the same day as the earliest application.

The TRIPS Agreement

 Standards. In respect of each of the main areas of intellectual property covered by the TRIPS Agreement, the Agreement sets out the minimum standards of protection to be provided by each Member. Each of the main elements of protection is defined, namely the subject-matter to be protected, the rights to be conferred and permissible exceptions to those rights, and the minimum duration of protection

 Enforcement. The second main set of provisions deals with domestic procedures and remedies for the enforcement of intellectual property rights. The Agreement lays down certain general principles applicable to all IPR enforcement procedures.

 Dispute settlement. The Agreement makes disputes between WTO Members about the respect of the TRIPS obligations subject to the WTO's dispute settlement procedures.

Trademarks

Visually perceptible under IP Code; perceptible under the US Lanham Act

 Any sign, or any combination of signs, capable of distinguishing the goods and services of one undertaking from those of other undertakings, must be eligible for registration as a trademark, provided that it is visually perceptible.

 The TRIPS Agreement contains certain provisions on well-known marks, which supplement the protection required by Article 6bis of the Paris Convention, as incorporated by reference into the TRIPS Agreement, which obliges Members to refuse or to cancel the registration, and to prohibit the use of a mark conflicting with a mark which is well known.

Geographical indications

 Geographical indications are defined, for the purposes of the Agreement, as indications which identify a good as originating in the territory of a Member, or a region or locality in that territory, where a given quality, reputation or other characteristic of the good is essentially attributable to its geographical origin.

Visible Sign

 The term "mark” means any visible sign capable of distinguishing the goods (trademark) or services (service mark) of an enterprise and shall include a stamped or marked container of goods.

 The IP Code does not provide for registration of trade names, but only for registration of trademarks. It provides that notwithstanding any laws or regulations providing for any obligation to register trade names, such names shall be protected, even prior to or without registration, against any unlawful act committed by third parties in literal compliance with the provisions of the Paris Convention.

 “Collective mark” means any visible sign designated as such in the application for registration and capable of distinguishing the origin or any other common characteristic, including the quality of goods or services of different enterprises which use the sign under the control of the registered owner of the collective mark. Collective marks indicate origin in members of a group while a trademark indicates a single origin for the goods bearing the trademark.

Economic Function

 A 'trade-mark' is a distinctive mark of authenticity through which the goods of a particular producer or manufacturer may be distinguished from those of others, and its sole function is to designate distinctively the origin of the products to which it is attached.

Source-Indicating Function

 The ability of a trademark to distinguish the product to which it is affixed from competing goods of other manufacturers is in legal language called the distinctiveness of a trademark. The traditional legal function of a trademark therefore is to indicate the source or origin of the goods on which it is used.

Guarantee Function

 Trademarks also serve to guarantee that the product to which it is affixed comes up to a certain standard of quality. In its guarantee function, a trade-mark is a distinctive mark of authenticity through which the goods of a particular producer or manufacturer may be distinguished from those of others.

Advertisement Function

 The ability of a trademark to indicate the source or origin of the product on which it is used and ensure that the product comes up to the quality or standard that consumers have come to expect from it combine to give effect to the advertising function of trademark among consumers.

Distinctiveness

 The distinctiveness of a trademark determines its relative strength or weakness. In other words, the strength of a mark denotes its tendency to identify the goods sold under the mark as emanating from a particular source.

Spectrum of Distinctiveness

Generic Marks

 Since mark is intended to be an indication of the origin of the goods or services on which it is used, a mark cannot be registered if it consists exclusively of signs that are generic for the goods or services that they seek to identify. A generic word is unregistrable as a mark because it totally lacks distinctiveness.

e.g. The trademarks T-JOIST and TEE JOISTS ostensibly for floor and roof systems, but actually for joists shaped like the capital letter T, are generic.

e. g. When a generic term is made part of an otherwise registrable mark, it must be disclaimed before the composite mark may be registered. The basic purpose of disclaimers is to make of record that a significant element of a composite mark is not being exclusively appropriated by itself apart from the composite.

Case:

Ong Ai Gui Alias Tan Ai Gui vs. The Director of the Philippines Patent office, respondent. E. I. Du Pont De Nemours and Company, intervenor G.R. No. L-6235 March 28, 1955.

e.g. "Nylon" used in connection with shirt-making, can never become distinctive or acquire secondary meaning because it is a generic term, like cotton, silk, linen, or ramie.

Case: Mcdonald’s Corporation et.al. vs. L.C. Big Mak Burger, Inc., et. al., G.R. No. 143993, August 18, 2004

e.g. The BIG MAC mark, which should be treated in its entirety and not dissected word for word, is neither generic nor descriptive. Generic marks are commonly used as the name or description of a kind of goods, such as “Lite” for beer or “Chocolate Fudge” for chocolate soda drink.

Descriptive Marks

 Descriptive marks, on the other hand, convey the characteristics, functions, qualities or ingredients of a product to one who has never seen it or does not know it exists, such as “Arthriticare” for arthritis medication. On the contrary, “Big Mac” falls under the class of fanciful or arbitrary marks as it bears no logical relation to the actual characteristics of the product it represents.

 Section 123.1 (j) precludes the registration of a mark that “consists exclusively of signs or of indications that may serve in trade to designate the kind, quality, quantity, intended purpose, value, geographical origin, time or production of the goods or rendering of the services, or other characteristics of the goods or services.”

Suggestive Marks

 A suggestive mark is therefore a word, picture, or other symbol that suggests, but does not directly describe, something about the goods or services in connection with which it is used as a mark. Suggestive marks are those which require imagination, thought or perception to reach a conclusion as to the nature of the goods or services. Thus, a suggestive term differs from a descriptive term, which immediately tells something about the goods or services. Suggestive marks, like fanciful and arbitrary marks, are registrable without proof of secondary meaning.

Case: American Wire & Cable Company vs. Director of Patents and Central Banahaw Industries, G.R. No. L-26557 February 18, 1970.

e.g. The trademark DYNAFLEX for electrical wires is a combination of the words FLEX, which means bend, and the prefix DYNA, which suggests power. DYNA is not in itself a root word but it has been commonly associated with any source of power.

Arbitrary or Fanciful Marks

 An arbitrary mark is a word or picture that is in common linguistic use but which, when used in connection with certain goods or services, neither suggests nor describes any quality or characteristic of those particular goods or services. Arbitrary marks are inherently distinctive and need no proof of secondary meaning to be regarded as valid for registration or legal protection.

Case: Andres Romero vs. Maiden form Brassiere Co., Inc. and The Director of Patents, respondents. G.R. No. L-18289 March 31, 1964.

Case: Masso Hermanos, S.A.vs.Director of Patents, G.R. No. L-3952 December 29, 1953

e.g. Trademarks derived from coined words such as "Rolex," "Kodak" or "Kotex" are most distinctive

e.g "Cosmopolite" does not give the name, quality or description of the canned fish for which it is used. It does not even describe the place of origin, for it does not indicate the country or place where the canned fish was manufactured. It is a very general term which does not give the kind or quality of the goods.

e.g. The musical term ADAGIO is used in an arbitrary or fanciful sense for brassiere.

Immoral and Scandalous Marks

 Section 123.1 (a) states that a mark cannot be registered if it consists of immoral, deceptive or scandalous matter, or matter which may disparage or falsely suggest a connection with persons, living or dead, institutions, beliefs, or national symbols, or bring them into contempt or disrepute. Paragraph (m) also precludes the registration of a mark that is contrary to public order or morality.

Case: In re Runsdorf, 171 USPQ 443, 444 (TTAB 1971). See also In re Tinseltown, Inc., 212 USPQ 863 (TTAB 1981)

e.g. The mark BULLSHIT is considered "profane" and was declared scandalous for "accessories of a personal nature ... attaché cases, hand bags, purses, belts, and wallets."

Disparaging Marks

Section 168.3 (c), IP Code

Case: In re Runsdorf, 171 USPQ 443, 444 (TTAB 1971). See also In re Tinseltown, Inc., 212 USPQ 863 (TTAB 1981)

 Section 123.1 (a) bars the registration of any mark that consists of or comprises matter which, with regard to persons, institutions, beliefs, or national symbols, does any of the following: (1) disparages them, (2) falsely suggests a connection with them, (3) brings them into contempt, or (4) brings them into disrepute.

Disparagement is essentially a violation of one's right of privacy -- the right to be "let alone" from contempt or ridicule.

Elements of disparagement are (1) that the communication reasonably would be understood as referring to the plaintiff; and (2) that the communication is disparaging, and would be considered offensive or objectionable by a reasonable person of ordinary sensibilities.

e.g. INTEL, INUTEL INSIDE

National Symbols

 Designations have been held to be national symbols within the meaning of the Act

e.g. Hammer and sickle is a national symbol of the Union of Soviet Socialist Republics; the American or bald eagle with wings extended is a well-known national symbol or emblem of the United States.

False Suggestion of a Connection

 Section 123.1 (a) prohibits the registration of a mark that consists of or comprises matter which may falsely suggest a connection with persons, institutions, beliefs or national symbols.

 National Flag or Coat of Arms


Section 123.1 (b) precludes the registration of a mark which consists of the flag or coat of arms or other insignia of the Philippines or any of its political subdivisions, or of any foreign nation, or any simulation thereof.

 Name, Portrait and Signature Marks

Section 123.1 (c) prohibits the registration of a mark which consists of a name, portrait or signature identifying a particular living individual except by his written consent, or the name, signature, or portrait of a deceased President of the Philippines, during the life of his widow, if any, except by written consent of the widow.

e.g. PRINCE CHARLES, 'Name' in this section is not restricted to the full name of an individual but refers to any name regardless of whether it is a full name, or a surname or given name, or even a nickname, which identifies a particular living individual.

Particular Living Individual or Deceased President

 Section 123.1 (c) applies to marks that comprise matter which identifies living individuals; it does not apply to marks that comprise matter which identifies deceased persons

e.g. greeting cards consisting of the name EISENHOWER, a portrait of President Dwight D. Eisenhower

e.g. When a name, portrait or signature in a mark identifies a particular living individual, or a deceased president of the country during the life of his widow, the mark can be registered only if the written consent of the individual, or of the president's widow, is filed in the application.

 Conflicting Marks

Section 123.1 (d) prohibits the registration of a mark is it is identical with a registered mark belonging to a different proprietor or a mark with an earlier filing or priority date in respect of (i) the same goods or services (ii) closely related goods or services, or (iii) if it nearly resembles such a mark as to be likely to deceive or cause confusion.

Under Section 147.1, in case of use of an identical sign for identical goods or services, a likelihood of confusion shall be presumed.

 Confusing Similarity with Registered Marks

Note: If the competing trademarks contain the main or essential or dominant features of another, and confusion and deception is likely to result, infringement takes place. Duplication or imitation is not necessary; nor is it necessary that the infringing label should suggest an effort to imitate.

 Consent Agreements

A "consent agreement" refers to an agreement in which a party, such as a prior registrant, consents to the use and/or registration of a mark by another party, like an applicant for registration of the same mark or a similar mark. It may also refer to an agreement in which each party consents to the use and/or registration of the same mark or a similar mark by the other party. A consent agreement that is not merely a "naked" consent specifies the reasons why no likelihood of confusion exists and/or arrangements undertaken by the parties to avoid confusion of the public.

 Relatedness of the Goods or Services

The goods or services do not need to be identical or even competitive to justify a determination that there is a likelihood of confusion. It is sufficient that the goods or services of the applicant and the registrant are related in some manner or that the circumstances surrounding their marketing are such that they are likely to confuse consumers.

e.g. MARTIN'S for wheat bran and honey bread likely to be confused with MARTIN'S for cheese

e.g. LAREDO for land vehicles LAREDO for pneumatic tires

Comparing Word Marks

 Similarity in appearance is one consideration in determining whether there is a likelihood of confusion between marks. Likelihood of confusion is not avoided between otherwise confusingly similar marks merely by adding or deleting a house mark or matter that is descriptive or suggestive of the named goods or services.

e.g. Thus, TRUCOOL for synthetic coolant was held likely to be confused with TURCOOL for cutting oil

 Design Marks

When the marks at issue are both design marks, the issue of the similarity of the marks must be decided primarily on the basis of visual similarity. In this situation, consideration must be given to the fact that a purchaser's recollection of design marks is often of a general and hazy nature.

e.g. a design mark consisting of an abstract circular design mark for seafood was held not likely to be confused with oval breaking wave design for various food items including juices and fruits.

 Confusing Similarity with Well-Known Marks

 Section 123.1 (e) precludes the registration of a mark which is identical with, or confusingly similar to, or constitutes a translation of a mark which is considered by the competent authority of the Philippines to be well-known internationally and in the Philippines, whether or not it is registered here, as being already the mark of a person other than the applicant for registration, and used for identical or similar goods or services: Provided, That in determining whether a mark is well-known, account shall be taken of the knowledge of the relevant sector of the public, rather than of the public at large, including knowledge in the Philippines which has been obtained as a result of the promotion of the mark;

 On the other hand, Section 123.1 (f) prohibits the registration of a mark which is identical with, or confusingly similar to, or constitutes a translation of a mark considered well-known in accordance with the preceding paragraph, which is registered in the Philippines with respect to goods or services which are not similar to those with respect to which registration is applied for: Provided, That use of the mark in relation to those goods or services would indicate a connection between those goods or services, and the owner of the registered mark: Provided further, That the interests of the owner of the registered mark are likely to be damaged by such use

Case: 246 CORPORATION, doing business under the name and style of Rolex Music Lounge vs. Hon. Reynaldo B. Daway, Montes Rolex S.A. and Rolex Centre Phil. Limited

e.g. ROLEX, KODAK

ROLEX cannot be appropriated as part of ROLEX MUSIC LOUNGE

e.g. In Montres Rolex, S.A., Rolex (Hong Kong) Ltd.) and Rolex Center Limited Philippine Branch versus Rolex Plastic Manufacturing Corporation, Montres Rolex S. A. sought the compulsory change the name of Rolex Plastic Manufacturing Corporation, by deleting its well-known trademark and Rolex from the corporate name.

 Deceptive Marks

Section 123.1 (g) of the Intellectual Property Code precludes the registration of deceptive marks or those that are “likely to mislead the public, particularly as to the nature, quality, characteristics or geographical origin of the goods or serves.”

e.g. use of the term "nylon" in the trade-name is both "descriptive" and "deceptively and misdescriptive" of the applicant-appellant's business, for apparently he does not use nylon in the manufacture of the shirts, pants.

Deceptive marks may include marks which falsely describe the material content of a product and marks which are geographically.
Neither a disclaimer of deceptive matter nor a claim that it has acquired distinctiveness can obviate a rejection on the ground that the mark consists of or comprises deceptive matter.


 Signs Indicating Quality, Kind, Geographical Origin

Section 123.1 (j) precludes the registration of a mark that “consist exclusively of signs or of indications that may serve in trade to designate the geographical origin” of the goods of services. While the language suggests that they may be registered as part of registrable matter, they must nonetheless be disclaimed on the basis of the principle that they cannot be exclusively appropriated.

Case: Asia Brewery, Inc. vs. The Hon. Court of Appeals and San Miguel Corporation, G.R. No. 103543 July 5, 1993.
e.g, "Pilsen" is a "primarily geographically descriptive word." It is unregistrable and not appropriable by any beer manufacturer because it refers to a type of beer ("pilsen")

Descriptive Trademarks

Marks that are “merely descriptive” when applied to or used in connection with the goods, business or services of the applicant or “deceptively misdescriptive” of them are not registrable.

e.g. a dealer in shoes cannot register "Leather Shoes" as his trademark because that would be merely descriptive;

Case: Lyceum of The Philippines, Inc. vs. Court of Appeals, Lyceum of Aparri, Lyceum of Cabagan, Lyceum of Camalaniugan, Inc., Lyceum of Lallo, Inc., Lyceum of Tuao, Inc., Buhi Lyceum, Central Lyceum of Catanduanes, Lyceum of Southern Philippines, Lyceum of Eastern Mindanao, Inc. and Western Pangasinan Lyceum, Inc. G.R. No. 101897 March 5, 1993.

e.g. LYCEUM for an educational institution is merely descriptive of its purpose and its first user may not prohibit others from using the word to apply to their school of learning.

 Geographical Marks under the TRIPS Agreement

Under the Agreement on Trade Related Aspects of Intellectual Property Rights. (TRIPS Agreement), geographical indications are those which identify a good as originating in the territory of a Member, or a region or locality in that territory, where a given quality, reputation or other characteristic of the good is essentially attributable to its geographic origin.

Functional Marks

Section 123.1 (k) of the Intellectual Property Code explicitly precludes the registration of “shapes that may be necessitated by the nature of the goods themselves or factors that affect their intrinsic value.”

e.g. under this provision, the shape of a hat will be unregistrable as a trademark for hat since the shape is dictated by the nature of the good itself.

Color Marks

Under Section 123.1 (l), a mark consisting of color alone cannot be registered as a mark unless defined by a given form. It is fundamental in trademark jurisprudence that color alone, unless displayed in a distinct or arbitrary design, does not function as a trademark. In one case, the colors black and red are not so displayed by the petitioner, and are primary colors commonly and freely used in the printing business.

Secondary Meaning

Section 123.2 of the Intellectual Property Code allows the registration of marks mentioned in paragraphs (j), (k) and (l), “which have become distinctive in relations to the goods for which registration is requested as a result of the use that has been made of it in commerce in the Philippines. The IPO may accept as prima facie evidence that the mark has become distinctive, as used in connection with the applicant’s goods in commerce, proof of substantially exclusive and continuous use thereof by the applicant in commerce in the Philippines for five years before the date on which the claim of distinctiveness is made.” The Intellectual Property Code therefore recognizes that marks that are unregistrable under its Section 123.1, paragraphs (j), (k) and (l), may nonetheless become registrable after they have acquired secondary meaning.

Case: Ana L. Ang vs. Toribio Teodoro, G.R. No. L-48226 December 14, 1942


The doctrine of "secondary meaning" is to the effect that a word or phrase originally incapable of exclusive appropriation with reference to an article of the market, because geographically or otherwise descriptive, might nevertheless have been used so long and so exclusively by one producer with reference to his article that, in that trade and to that branch of the purchasing public, the word or phrase has come to mean that the article was his product.

 Prior Use

Prior use must be trademark use in the legal and protectable sense. Thus, if the trademark itself, like “Nylon” is not legally protectable no length of use and no amount of advertising will make it distinctive of shirts or of the business of manufacturing them.

Prior use by one will controvert a claim of legal appropriation, by subsequent users. In the case at bar, the Director of Patents found that "ample evidence was presented in the record that Centennial Mills, Inc. was the owner and prior user in the Philippines of the trademark 'All Montana' through a local importer and broker. Use of a trademark by a mere importer, indentor or exporter inures to the benefit of the foreign manufacturer whose goods are identified by the trademark.

 The Territoriality of Rights in Marks

 Before the Philippine adherence to the TRIPS Agreement and the enactment of the IP Code, the unyielding doctrine of the Supreme Court has been that trademark rights are territorial and cannot extend to markets which the goods bearing the trademark have not reached.

 The principle of territoriality of the Trademark Law has been recognized in the Philippines. As Callmann puts it, the law of trademarks "rests upon the doctrine of nationality or territoriality." The mere origination or adoption of a particular trade name without actual use thereof in the market is insufficient to give any exclusive right to its use, even though such adoption is publicly declared, such as by use of the name in advertisements, circulars, price lists, and on signs and stationery.

 A trade-mark acknowledges no territorial boundaries of municipalities or states or nations, but extends to every market where the trader's goods have become known and identified by the use of the mark.

 Prior Use of Marks

 Prior use must be trademark use in the legal and protectable sense. Thus, if the trademark itself, like “Nylon” is not legally protectable no length of use and no amount of advertising will make it distinctive of shirts or of the business of manufacturing them.

 Prior use by one will controvert a claim of legal appropriation, by subsequent users. Use of a trademark by a mere importer, indentor or exporter inures to the benefit of the foreign manufacturer whose goods are identified by the trademark. Where the Junior Party has established a continuous chain of title and, consequently, prior adoption and use it is safe to conclude that the Junior Party has satisfactorily discharged the burden of proving priority of adoption and use and is entitled to registration.

 Doctrine of Related Goods

 Goods are related when they belong to the same class or have the same descriptive properties; when they possess the same physical attributes or essential characteristics with reference to their form, composition, texture or quality. They may also be related because they serve the same purpose or are sold in grocery stores.

Case: Faberge, Incorporated vs. The Intermediate Appellate Court and Co Beng Kay, G.R. No. 71189 November 4, 1992

e.g. In Faberge Incorporated vs. Intermediate Appellate Court, the Third Division of the Supreme Court attempted to lay this issue to rest on the basis of the literal and restrictive language of Section 20 of the Trademark Law. The Court allowed the registration of the trademark "BRUTE" for briefs in the name of respondent since Faberge using its mark BRUT only on after-shave lotion, shaving cream, deodorant, talcum powder and toilet soap.

 Well-Known Marks

 The Supreme Court in La Chemise Lacoste has held that the Philippines is bound to accord protection to well-known trademarks under Article 6bis of the Paris Convention.

Case: In 246 CORPORATION, doing business under the name and style of Rolex Music Lounge vs. Hon. Reynaldo B. Daway, Montes Rolex S.A. and Rolex Centre Phil. Limited, upheld an injunction in favor of Montres Rolex SA against the use of its trademark ROLEX by Rolex Music Lounge.

e.g. The Supreme Court cited Section 123.1 (f) of the IP Code and noted that the provision prohibits the appropriation of well-known marks that are registered in the Philippines not only for goods that are similar but also for goods that are not similar to those for which the owner had registered its well-known mark in the Philippines.

 Actual Use of Marks

 Rights in marks are acquired through actual use in commerce. Advertising is not use.

 Excusable Non-Use

 Failure of the applicant to file a declaration and evidence of actual use within three years from the filing date of the application shall result in the rejection of the application or the cancellation of the registration certificate if it has been issued

 Non-use of a mark may be excused if caused by circumstances arising independently of the will of the trademark owner. Lack of funds shall not excuse non-use of a mark

 Use by Related Company

Section 52.4 of the IP Code

 The use of a mark by a company related with the registrant or applicant shall inure to the latter's benefit, and such use shall not affect the validity of such mark or of its registration. This is subject to the condition that such mark is not used in such manner as to deceive the public.

 A related company may be either a natural person or a juristic person. A party may claim use of a mark through a related company provided the party relying on such use controls the nature and quality of the goods or services on or in connection with which the mark is used.

First-to-File and First-to-Use

 The rights in a mark shall be acquired through registration made validly in accordance with the provisions of this law. Rights are not acquired by mere registration. Mere registration without actual use does not lead to acquisition of trademark rights since the applicant or registrant’s failure to use the mark in commerce within three years from the filing date of the application leads to rejection.

 A trademark owner who is first to file an application for the registration of a mark acquires the limited right to have his application examined ahead of any identical or similar mark.

 The applicant who has the earliest filing date may not necessarily end up as the registered owner of a mark. His application for the registration of the mark may be rejected if it is identical with, or confusingly similar to, or constitutes a translation of a mark which is considered by the competent authority of the Philippines to be well-known internationally and in the Philippines.

 Rights Conferred by Registration

 Sections 147.1 and 147.2, IP Code, Rights Conferred

147.1. The owner of a registered mark shall have the exclusive right to prevent all third parties not having the owner’s consent from using in the course of trade identical or similar signs or containers for goods or services which are identical or similar to those in respect of which the trademark is registered where such use would result in a likelihood of confusion. In case of the use, of an identical sign for identical goods or services, a likelihood of confusion shall be presumed.
147.2. The exclusive right of the owner of a well-known mark defined in Subsection 123.1(e) which is registered in the Philippines, shall extend to goods and services which are not similar to those in respect of which the mark is registered: Provided, That use of that mark in relation to those goods or services would indicate a connection between those goods or services and the owner of the registered mark: Provided further, That the interests of the owner of the registered mark are likely to be damaged by such use.

 Section 148, IP Code, Use of Indications by Third Parties for Purposes Other than those for which the mark is used.
Registration of the mark shall not confer on the registered owner the right to preclude third parties from using bona fide their names, addresses, pseudonyms, a geographical name, or exact indications concerning the kind, quality, quantity, destination, value, place of origin, or time of production or of supply, of their goods or services: Provided, That such use is confined to the purposes of mere identification or information and cannot mislead the public as to the source of the goods or services.
Case: Playboy v Terri Welles

 Section 150, IP Code License Contracts

Section 152.1 to 152.4, Non-use of Mark When Excused

Non-use of a mark may be excused if caused by circumstances arising independently of the will of the trademark owner. Lack of funds shall not excuse non-use of a mark. The special circumstances to excuse non-use in affidavits of non-use shall not be accepted unless they are clearly beyond the control of the registrant such as the prohibition of sale imposed by government regulation.


 Enforcement of Rights on Marks

 Section 134, Opposition
Any person who believes that he would be damaged by the registration of a mark may, upon payment of the required fee and within thirty (30) days after the publication referred to in Subsection 133.2, file with the Office an opposition to the application.
Such opposition shall be in writing and verified by the oppositor or by any person on his behalf who knows the facts, and shall specify the grounds on which it is based and include a statement of the facts relied upon. Copies of certificates of registration of marks registered in other countries or other supporting documents mentioned in the opposition shall be filed therewith, together with the translation in English, if not in the English language.
For good cause shown and upon payment of the required surcharge, the time for filing an opposition may be extended by the Director of Legal Affairs, who shall notify the applicant of such extension. The Regulations shall fix the maximum period of time within which to file the opposition.
 120-day period for notice of opposition, affidavit with supporting documentary evidence, power of attorney
 120-day period for respondent’s answer, affidavit with supporting documentary evidence, power of attorney
 Summary rules of procedure – decision to be rendered on the basis of the documents submitted, with opportunity to file a memorandum and a draft decision.

Sec. 155. Remedies; Infringement
Any person who shall, without the consent of the owner of the registered mark:
155.1. Use in commerce any reproduction, counterfeit, copy, or colorable imitation of a registered mark or the same container or a dominant feature thereof in connection with the sale, offering for sale, distribution, advertising of any goods or services including other preparatory steps necessary to carry out the sale of any goods or services on or in connection with which such use is likely to cause confusion, or to cause mistake, or to deceive; or
155.2. Reproduce, counterfeit, copy or colorably imitate a registered mark or a dominant feature thereof and apply such reproduction, counterfeit, copy or colorable imitation to labels, signs, prints, packages, wrappers, receptacles or advertisements intended to be used in commerce upon or in connection with the sale, offering for sale, distribution, or advertising of goods or services on or in connection with which such use is likely to cause confusion, or to cause mistake, or to deceive, shall be liable in a civil action for infringement by the registrant for the remedies hereinafter set forth: Provided, That the infringement takes place at the moment any of the acts stated in Subsection 155.1 or this subsection are committed regardless of whether there is actual sale of goods or services using the infringing material.

 Measure of Damage
 The measure of the damages suffered shall be either the reasonable profit which the complaining party would have made.
 Profit which the defendant actually made out of the infringement
 Court may award as damages a reasonable percentage based upon the amount of gross sales of the defendant

 Border Control
Sec. 166. Goods Bearing Infringing Marks or Trade Names
No article of imported merchandise which shall copy or simulate the name of any domestic product, or manufacturer, or dealer, or which shall copy or simulate a mark registered in accordance with the provisions of this Act, or shall bear a mark or trade name calculated to induce the public to believe that the article is manufactured in the Philippines, or that it is manufactured in any foreign country or locality other than the country or locality where it is in fact manufactured, shall be admitted to entry at any customhouse of the Philippines.